Centre Pompidou
Modern-art centre in the 4th arrondissement, Paris (Literary).
At a glance
| Source | Author | Role | In one line |
|---|---|---|---|
| Neither Here Nor There | Bill Bryson | subject | Bryson tries to like it, and can’t. |
Neither Here Nor There — Bill Bryson (1991)
Source: Neither Here Nor There · Readwise highlight
But what I really dislike about buildings like the Pompidou Center, and Paris is choking on them, is that they are just showing off. Here’s Richard Rogers saying to the world: “Look, I put all the pipes on the outside. Am I cute enough to kiss or what?”
- Role: subject
- In the book: With the Louvre too crowded, Bryson goes to the Pompidou Center determined to like it and fails: it is weathered, too big for its cramped neighbourhood, and badly designed inside, with nowhere to sit or meet. It becomes his case against architects who forget that cities are for people.
- Why it matters: The building is the target of one of the book’s sharpest set pieces on architecture.